Prunella Scales, who passed away at the age of 93, was regarded as one of Britain's finest comedic performers.
Despite an extensive and respected career on stage and screen, her legacy will forever be linked as Sybil Fawlty in the classic 1970s television series, Fawlty Towers.
Sybil's primary objective throughout her existence to keep tabs on her "stick insect" husband Basil - portrayed by comedian John Cleese - between cigarette-fuelled phone conversations with her companion Audrey.
She was tasked to calm visitors who had been shouted at, totally ignored or, in some cases, physically confronted by Basil when in one of his more manic moods.
Her nightmarish laugh, extraordinary hairstyle and ferocious temper were components of a carefully constructed character that ranks as a humorous triumph.
Although many actors would have removed themselves from excessive identification with a single role, Scales consistently voiced her delight in participating of the Fawlty Towers experience.
Prunella Margaret Rumney Illingworth came into the world near Guildford on June 22nd, 1932.
It was a family deeply in love with the theatre - with her mother, Bim Scales, a former actor who'd abandoned her career for family life.
Bright and bookish, following evacuation during the war to England's Lake District, Prunella attended Moira House educational institution in Eastbourne.
In 1949, she won a scholarship to the Old Vic Theatre School and - two years later - obtained a role as an assistant stage manager.
This was to the fury of her previous school principal in Eastbourne, who had hoped she would apply to Cambridge and wrote to the theatre to express this opinion.
At drama school, Scales had been thought of as a junior character actor rather than a natural Juliet candidate.
"We all wanted to look like Audrey Hepburn," she subsequently informed her biographer, "however I lacked conventional beauty and attracted no admirers."
Young Prunella concealed her middle-class roots, conscious that directors were beginning to look for a new kind of earthy credibility in their actors.
Nevertheless she began acquiring minor parts in plays, and, during preparations for a part at Worthing's Connaught Theatre, she met actor Andrew Sachs, who would subsequently appear as Manuel, the Spanish waiter, in the famous series.
There was an early television appearance in the year 1952, as Lydia Bennet in a television adaptation of Pride and Prejudice, which featured actor Peter Cushing - better known for his horror film performances - as Mr Darcy.
Her initial film appearances came a year later - in romantic comedy, the film Laxdale Hall, and David Lean's Hobson's Choice, opposite Charles Laughton.
During the latter 1950s and early 1960s, she maintained constant employment - appearing on stage, film and television, including a brief stint as transport worker, Eileen Hughes, in the popular soap Coronation Street.
She additionally encountered fellow actor Timothy West.
Following what she characterized as "a gentle courtship involving crosswords and candies", they became a couple, and married in 1963.
Her big TV break came with Marriage Lines, a comedy program about recentlyweds, George and Kate Starling.
Scales performed alongside Richard Briers, then one of the biggest stars in television comedy. The program achieved great success and continued for five seasons.
Then came Fawlty Towers, which propelled her to iconic status.
John Cleese and his then wife, Connie Booth, had submitted the first script of their comedy creation to the BBC.
Actress Bridget Turner had been approached to play Sybil Fawlty but she declined the part and Scales tried out for the character.
She subsequently recalled that Cleese maintained high standards.
"John, appropriately, demanded strict script adherence, and failure to comply would understandably provoke his irritation."
Only 12 episodes were ever made.
The first series, which debuted in 1975, didn't immediately attract massive viewership but, as it continued, its hilarious mix of ridiculous physical comedy and embarrassing situations grew in popularity.
Scales carefully considered about how to play Sybil Fawlty, and determined that her social background had to be below her husband Basil's.
Initially, the creators had doubts regarding the treatment.
"After witnessing the initial read-through," Scales remembered, "they were sold on the idea."
In subsequent years, she was, all too often, requested to portray "dragons" and "old bags" when she desired elegant characters.
However when questioned about what she thought was the high point, Scales immediately identified in selecting Sybil Fawlty.
"The role presented challenges," she insisted, "yet I remain proud of my work." She believed it assisted in bringing the paying public into performance venues.
"I believe that audience familiarity with one performance encourages attendance at others," she expressed.
After Fawlty Towers, Scales continued to work in the television industry, including an engagement as character Elizabeth Mapp in ITV's Mapp and Lucia.
Her voice was also regularly heard on audio broadcasts, notably the BBC Radio 4 sitcom, which subsequently transferred to television, and the series Ladies of Letters, with Patricia Routledge, which evolved into a staple of the program Woman's Hour.
Scales performed at two major royal roles; as Queen Elizabeth in the BBC production of Alan Bennett's A Question of Attribution, and as Queen Victoria in a solo performance that she performed 400 times.
She obtained correspondence from a royal protection officer who admitted that when Scales appeared, he stood up.
"It was a knee-jerk reaction," she explained. "I was thrilled."
In 1995, she began starring as Dotty Turnbull in a series of TV adverts for the retail chain Tesco - which compensated her partially with shopping credits.
The advertising series, which continued for nine years, was identified as the primary reason in establishing its dominant market position in the mid-nineties.
Scales subsequently faced some gentle criticism for participating in the commercial campaign, when she backed a campaign to stop local shops closing in her area of London.
One of her finest performances appeared in the production Breaking the Code, the film about World War II cryptanalysts.
She appears as Alan Turing's mother, who represents a culture that treated homosexual acts as a crime, a perspective that contributed to his tragic end.
Beyond performance, {Scales was
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